Search
New Salem at 100

New Salem at 100

State historic site celebrates anniversary and plans for the future

New Salem at 100

New Salem at 100

State historic site celebrates anniversary and plans for the future
Petersburg's hidden treasures

Petersburg's hidden treasures

Menard County murals by national artists celebrate Lincoln and local...

Petersburg's hidden treasures

Petersburg's hidden treasures

Menard County murals by national artists celebrate Lincoln and local lore

 

Today in history

4/25/1925

Chicago's first Woman's World's Fair closes its successful eight-day pageant, which had been opened on April 18th by President Calvin Coolidge over the radio.

View all days in history...

ISHS picture

Historical Markers

Since 1934, the Illinois State Historical Society has erected more than 500 historical markers statewide. Subjects of historical significance to Illinois are co-sponsored by local organizations and supporters. The Illinois State Historical Society coordinates the placement and management of historical markers throughout the state.

More Info...

 

Submit your local history event

Do you have an exciting local history news story or an event that you would like to share? Use this form to submit it and after a quick review it will be added to our news roll or events calendar. The goal is to add news and events from all over the state to celebrate Illinois’ rich history. Get involved and get the word out about news and events in your area.

 

Latest News

Best of Illinois History Awards Banquet and ISHS Annual Meeting

Best of Illinois History Awards Banquet and ISHS Annual Meeting

Join us for a celebration of Illinois history and the people that help tell the story of the Prairie State. Dinner and awards banquet in Menard County, Illinois, home of the New Salem State Historic Site. 

March - April 2019

March - April 2019

This issue of Illinois Heritage is another gift from our sterling contributors. John Hallwas’s beautiful tribute to Virginia Eifert gave us an opportunity to put her portrait as a five-year-old writer on the cover. Mark Flotow revisits Illinois’ Civil War camps and shares how the soldiers who served there remembered their wartime experiences. Kathleen Spaltro takes us to Preston Sturges’ “City of My Dreams” in a fascinating profile of a renowned filmmaker’s coming of age in Chicago, and Mike Kienzler explores hidden art in plain sight in Menard County.

On April 26, the Illinois State Historical Society invites all friends of Prairie State history to join us in Petersburg for the ISHS’s 120th annual meeting, a celebration of the BEST OF ILLINOIS HISTORY and the 100th anniversary of the re-establishing of the village of New Salem and the creation of the state historic site. This event includes the Annual Awards Banquet, as well as a guided afternoon tour of the park. Look for details in this issue of Illinois Heritage and on our webpage, http://www.historyillinois.org.

Volume 111 Number 4 Winter 2018

Volume 111 Number 4 Winter 2018

Volume 111 Number 4 Winter 2018

We close 2018 with three fascinating articles that illuminate the social and cultural history of Illinois in the nineteenth and twentieth centuries. In “Charles Dickens, Cairo, and the Panic of 1837,” Peter Pellizzari analyzes the mix of truth and myth that drove western land speculation in the lead up to the Panic of 1837. At the center of Pellizzari’s story is Darius Blake Holbrook, Cairo’s chief promoter and financier in the 1830s. The town of Cairo, and Americans like Holbrook, also served as source material for parts of Charles Dickens’ novel, The Adventures of Martin Chuzzlewit, first published serially in 1842–44. Pellizzari unpacks Holbrook’s career as Cairo’s preeminent booster—artfully blending truth and fiction, Holbrook induced investors to drop huge sums into Cairo land and other ventures. Holbrook’s financial schemes, of course, like castles made of sand, disintegrated in the wake of the Panic of 1837. In this way Holbrook was a real life version of Zephaniah Scudder, Dickens’ fictional land agent who dazzles Chuzzlewit with alluring images of Eden, a fictional American river town unmistakably inspired by real life Cairo, which Dickens had seen during his travels to America in 1842. Dickens’ critical relationship to antebellum American society emerges here as one important source of the British novelist’s ouvre. Also striking is Pellizzari’s convincing account of how fiction and fact—myth and reality—were deployed by boosters like Holbrook in the service of western land speculation. While the macroeconomic forces that fueled the Panic of 1837 have received much scholarly attention (and rightfully so), Pellizzari’s tale of greed, hope, allure, and illusion points to an equally important aspect of antebellum economic history: The cultural mores that sustained market transactions (and a market bubble in western land) in the years running up to the panic.

It is a commonplace that Irish labor built the Illinois & Michigan Canal. Yet few scholars have bothered to study the Irish immigrant experience in the antebellum period outside of urban contexts like Chicago or New York City, or the coal fields of Pennsylvania. What sustained Irish communities in the many small, rural towns that grew along the I&M Canal Corridor in the decades before the Civil War? In “Canal Diggers, Church Builders: Dispelling Stereotypes of the Irish on the Illinois & Michigan Canal Corridor,” Eileen McMahon examines Irish immigrant agency downstate, in towns that dot the prairie. Central to Irish immigrant life was the Catholic Church. The parish served as the focal point of a rich immigrant experience in a foreign land; as a force for communitybuilding, ethnic pride and identity, and eventual assimilation. McMahon’s study of small-town Irish community formation and the efforts to establish parishes across the Canal Corridor enlarges our understanding of the antebellum Irish experience.

Finally, we close with a study of the Depression-era collaboration between two Illinois-born artists. In “Doris and Russell Lee: A Marriage of Art,” Mary Jane Appel traces the mutually creative practices that shaped both Doris’s American Scene paintings and Russell’s work as a documentary photographer for the Farm Security Administration. As Appel demonstrates, the married couple shared a “reciprocal relationship with a fluid exchange of ideas and artistic visions.” The rural imagery that suffused the Lees’ work, of course, trace back to their Midwest and specifically Illinois roots. But Appel’s larger contribution is to establish the artists’ collaborative working methods, their creat

RSS

View article archives

Upcoming events Events RSSiCalendar export

 

Add Article

Please do not use this button to submit or follow-up on submissions for the Illinois Heritage or Journal of the Illinois State Historical Society. Instead visit the links below for the correct submission information.

Terms Of UsePrivacy StatementCopyright 2019 by Illinois State Historical Society
Back To Top