Journal

We open 2019 with three articles addressing murder, politics, and ethnoreligious identity in Illinois. In "Untouchable: Joseph Smith's Use of the Law as a Catalyst for Assassination," Alex Smith offers a fine-grained analysis of the Mormon prophet's understanding- and misunderstanding- of key legal concepts leading up to his murder at a Carthage, Illinois jail in 1844. 

Like the histroy of Joseph Smith and anti-mormonism, antislavery politics has generated a rich and variegated historiography. In "Free Soil, Free Labor, and Free Men: The Origins of the Republican Party in DuPage County, Illinois," Stephen Buck synthesizes many of the widely accepted explanations for the Republican Party's emergence in the 1850s, including the powerful ideal of free-soil in the trans-Mississippi West; opposition to the political clout of the "Slave Power" nationally; and genuine moral committments to the abolition of Slavery. 

Always a city of immigrants, Chicago has rightfully served as a key focus for a wide-ranging body of scholarship on the immigrant experience in America. Oddly, however, the French, the first Europeans to see and settle the area, have largely faded from view in histories of immigrant Chicago. Daniel Snow sheds much needed light on the French-American experience in the Windy City in "Of Three Nations: Devotion and Community in French-American Chicago, 1850-1950."

The Winter 2016 volume features three essays that engage histories of race, gender, and the Chicago artworld respectively. In "Days of Jubilee: Emancipation Day Celebrations in Chicago, 1853-1877," Amber Bailey documents the rich history of black activism in celebration of emancipation. 

In "Illumination or Illusion: Women Inventors at the 1893 World's Columbian Fair," Denise E. Pilato examines how the work of women inventors was "promoted, judged, and valued."

And finally, in "From Peer to Obscurity: Julius Moessel and the Fall of an Artistic Reputation," Mark Alvey examines the career of German-born Chicago painter Julius Moessel to raise broader questions about how artistic cannons are made and who gets included in them.